《倒數第二個箱子》是國立歷史博物館「想想歷史」公共藝術計畫其中一件作品。這件作品發想自史博館在1969至1986年推行的「中華文物箱」，在這個文化外交計畫中，文物保存與政治宣傳被揉雜成複合物。前期透過前置工作坊的舉辦，藝術家將工作坊中由參與者所創造的物件故事與內容，成為《倒數第二個箱子》的作品發展基礎，轉化為物件劇場的發展元素，並與導演、共創演員及團隊們共同發展成劇場及錄像作品。透過物件劇場及諧擬博物館開放式典藏庫的物件裝置，《倒數第二個箱子》以一則圍繞著過去與當下物件所展開的家族寓言，回應物件、敘事及認同間的曖昧多義。

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概念及導演：張紋瑄、曾彥婷

共創演員：陳佳豪、賀湘儀

舞台監督：張君如

聲音設計：曾伯豪

燈光設計：曾彥婷 

服裝設計：徐英祥

技術人員：梁譯心、陳柏豪

攝影團隊：陳冠宇、楊哲奇、陳仕恩、林彥翔 

後期製作團隊：噪音印製、江偉

物件製作：源造工作室

裝置製作：于沛廷

策展與統籌：害喜影音綜藝有限公司

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​國立歷史博物館「想想歷史」公共藝術計畫

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The Penultimate Chest is a public artwork commissioned by the National Museum of History in Taiwan. It draws inspiration from the National Museum of History's "The Chinese Cultural Chests" project (1969-1986), where relic preservation and political propaganda fused into a complex entity. By hosting workshops with the participation of local resident community, the artist collected their emotional memories and anthropomorphic imaginations towards the artifacts inside the "The Chinese Cultural Chests." She then reworked them into a script and collaborated with theater directors and actors. Utilizing the framework of object theater and simulated museum open displays, the artist weaves a family fable, addressing the intricate connections between objects, narratives, and identity across time.

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Conception & direction: Chang, Wen-Hsuan / Tseng, Yenting

Co-creator: Chen, Chia-Hao / Ho, Hsiang-Yi

Stage manager: Chang, Chun-Ju

Sound Design: Tseng, Po-Hao

Lighting Design: Tseng, Yenting

Costume Design: Kelvin Xu

Stage Crew: Liang, Yi-Shin/ Chen, Bo-Hao

Video Photography: Chen, Kuan-Yu / Yang, Che-Chi / Chen, Shih-En / Lin, Yan-Xiang

Post-production: PrintedNoiseLab / Chiang, Wei

Prop Maker: Uanzo Studio

Installation Production: Yu, AK

Curating and Coordination: Hide & Seek Audiovisual Art

 

Part of National Museum of History Public Art Project, Thinking About History​

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