2023-2024

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Duo-channel video, lenticular wall panel, vintage stools, found materials.
Video: HD, color, 18:40 minutes, Taiwanese and Korean, Korean and English subtitle

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495x230x100cm

作品探討數位時代以及戰爭期間的資訊過載效應。在光柵輸出裝置的正面，並置了兩個在韓戰期間經歷「資訊過載」的地點：作為白色恐怖時期監獄的綠島，以及作為臨時戰時首都的釜山。裝置背面的結構則參考韓戰時期釜山的難民棚屋以及雙頻道錄像，通過一系列破碎的第一人稱敘事，呈現資訊過載對記憶以及個人日常生活的影響與破壞。

「新秩序」為張紋瑄從2023年開啟的長期計畫，透過諧擬資料夾建檔系統的架構

，探究被二元化操作的新秩序敘事。本次展出的作品包含兩個檔案：「File:\新秩序\普通生活\火燒島」及「File:\新秩序\普通生活\山村」。

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剪輯及聲音設計：張紋瑄

平面攝影：吳傑生、張育銘

動態攝影：許博彥 、蔡宗勳、張紋瑄

聲音演員：何冠儀、金仁馨

台語翻譯：MC JJ

裝置設計：何紹源

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​由2024釜山雙年展委託製作

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Data Exceeds the Limit concerns the effects of information overload in a digital context, and in wartime. On one side a lenticular panel juxtaposes two locales that experienced massive ‘content overload’ during the Korean War: Taiwan's Green Island, a prison during the White Terror period, and Busan, the temporary wartime capital, depicting a series of war relics from each site. The structure references a refugee shelter, and on its reverse are two videos in which a series of fragmented first-person narratives register the damaging impact of information saturation on memory and on an individual’s relationship to everyday life.

 

This work is part of the long-term project 'New Order,' launched in 2023. Adopting the format of a filing system, this ongoing project seeks to investigate the dichotomized manipulation inherent within the narrative of the 'new order.' 'Data Exceeds the Limit' consists of two files within this project: File\New_Order\Normal_Life\Fire_ Island and File\New_Order\Normal_Life\Mountain_Village.

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Editing and sound design: Chang Wen-Hsuan

Photography: Goh Jason, Chang Yu-Ming

Video Photography: Hsu Po-Yen Hsu, Tsai Tsung-Hsun, Chang Wen-Hsuan

Voice Actor: Ho Guan Yi, Kim In-Young

Taiwanese Translation: MC JJ

Installation Design: HO Shao-Yuan

 

Commissioned by Busan Biennale Organizing Committee, 2024​

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